Museum News

The Hands That Built Living History: Volunteering at the Weald & Downland Living Museum

It is unfailingly remarkable what the willing hands of ordinary people can achieve. Long before the first visitors paid for their tickets at the gate on a September morning in 1970, the land at Singleton in West Sussex had already been shaped by volunteers; people who came with shovels and saws, with a sense of purpose and no expectation of payment, drawn by the belief that something worth saving was slipping away.

That is where the story of the Weald & Downland Living Museum truly begins: not in a boardroom, nor in a government decree, but in the accumulated labour of those who cared enough to act.

 

A History of Volunteering

In the mid-1960s, the destruction of England’s historic rural buildings was proceeding at a rate that alarmed those who understood what was being lost. In Surrey alone, more than 350 historic structures had been demolished between 1951 and 1965. In Kent, the demolition rate reached as many as three buildings a month. Crawley New Town was consuming the Wealden landscape around it; fine timber-framed halls were pulled apart with cables and caterpillar tractors, their centuries-old beams consigned, as the Museum’s founder Roy Armstrong recorded with evident sorrow, to gigantic bonfires. It was this vision, of irreplaceable craftsmanship reduced to ash, that inspired Armstrong and a small gathering of like-minded people to propose, in October 1965, an open-air Museum for the Weald and Downland region. The intention was to rescue what could not be saved in place, and to give it new life on a single site.

What followed was an act of collective will that depended almost entirely on unpaid effort. A site was agreed with the Edward James Foundation at West Dean. Footpaths were cut. Woodland was coppiced. Trees were planted and picnic areas made ready. The Upper Beeding toll house, the first of several buildings to be dismantled for relocation, was taken apart piece by piece and re-erected by volunteers who gave their weekends and their skills without reservation. When the carpenter Gunolt Greiner arrived in 1966 with his tent and mobile workshop to begin re-erecting Winkhurst, the Museum’s first landmark building, he was joined in that work by Roger Champion, a young man who would spend decades at the Museum and become its master carpenter, shaping furniture, exhibits and the buildings themselves, that visitors still see today. Champion cut the first wooden pegs for Winkhurst’s frame. He had not been trained to do so; he learnt as he worked, in the way that craftsmen had always learnt, through the patient instruction of those who knew more.

By the time the gates opened to the public in September 1970, with seven exhibits, £12 in the bank account, a hope and a dream, the Museum was already inseparable from the community of people who had built it. More than seven thousand visitors arrived in those first six weekends alone. The Museum’s earliest publication, launched two years later in November 1972, was not called a magazine or a newsletter but a ‘Volunteers’ News’: a title that said everything about where the institution understood its foundation to lie.

The years that followed deepened that understanding. Through the 1970s and 1980s, as the collection grew (Bayleaf farmhouse rescued from the rising waters of Bough Beech Reservoir, a medieval barn from Cowfold, a carpenter’s shop from Windlesham, the watermill at Lurgashall restored to working life), the work of expansion was sustained by a growing band of helpers who gave their time across the seasons. They thatched roofs and planted gardens. They managed woodland in the traditional way, coppicing on a cycle that the trees themselves had known for centuries. They demonstrated crafts to visitors: the shave horse, the draw knife, the blacksmith’s hammer on the anvil.

 

The Value of Volunteering

All these countless hours those volunteers gave, and hundreds of volunteers continue to give, were not passive contributions. Volunteers carried knowledge. They kept skills alive that professional institutions could not always sustain. When the pioneering Bayleaf Medieval Farmstead project was prepared for its opening in 1989, with its recreated house, garden, farmyard and farming exhibition, it required interpreters who could inhabit that world convincingly and communicate it warmly. Thelma Jack, the Bayleaf interpreter, and her team of volunteers faced school parties and their thousands of questions, maintaining the living quality of the farmstead through their presence alone. Without that human element, without people who understood and cared, the buildings would have been less experienced, however beautifully restored.

The Museum’s own account of what this involvement has produced over the generations is telling. The five-year-old who visited in 1973 and later returned as a volunteer. The young man who picked up a Museum leaflet and eventually became a Museum carpenter. The demonstrator who first came to the site as part of a youth group and, in time, made it a central part of their life. Each of these stories follows a similar arc: encounter, connection, commitment. The Museum did not simply preserve the past for people to observe from a distance; it gave them a way into it, and some of them never fully left.

The tradition has been honoured formally as well as practically. The Weald & Downland Living Museum holds the King’s Award for Voluntary Service, one of the highest distinctions available to voluntary groups in the United Kingdom, and the recognition is fitting. Volunteers remain, as the Museum itself states plainly, its lifeblood; without whose time and dedication the institution could not exist in its present form.

That is a striking thing to say of any organisation that has grown to hold fifty-three exhibit buildings, that has welcomed more than six million visitors, that has achieved government Designation status in recognition of the pre-eminent national importance of its collections, and that runs postgraduate courses in timber building conservation and building conservation. Yet it is true in a way that no amount of institutional growth has been able to alter. The Museum was built on voluntary effort; it is sustained by voluntary effort; and the qualities it exists to celebrate (the passing of skill from hand to hand, the continuity of knowledge across generations, the value of ordinary work done with care), are precisely the qualities that volunteers themselves embody.

 

The Legacy of Volunteering

There is a symmetry in this that the Museum’s founders might have found quite satisfying. The buildings now at the Museum were saved because people understood that what disappears cannot be recalled. The skills demonstrated within those buildings survive because people understood that knowledge unshared is knowledge lost. Both forms of preservation ask the same thing of us: that we attend, that we commit, that we give something of ourselves to what endures beyond us. A volunteer lime washing the walls of Bayleaf is doing something recognisably ancient. They are placing themselves within a chain of transmission that stretches back through the centuries and, if the work continues, will stretch forward into them as well.

The landscape around Singleton has not changed greatly since Roy Armstrong and his early helpers first began to clear the site. The South Downs still rise to the south; the light falls across the valley in the same long autumn angles it always has; rooks still gather in the elms as the season turns. Within that landscape, the Museum stands as something both ordinary and durable; an argument, made in timber and tile and living craft, that the past is worth keeping, and that keeping it is work that must be done by human hands. The volunteers who have given those hands, year after year, across more than half a century, are themselves now part of the history that the Weald & Downland Living Museum exists to preserve.

In the tranquil setting of the Weald & Downland Living Museum, you can connect with the community, meet new people, improve your health, learn new skills and even advance your career. Visit our Volunteering page to find out how to get involved. You can also join us in celebrating our volunteers during the annual Volunteers Week.

Zachary Peatling

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