| This year’s new Museum Christmas card features Pendean
farmhouse in the snow with the Museum’s geese in the foreground (left),
taken by Julie Aalen. It is available in 10-card packs by mail order, at
£6.20 per pack, including postage and packing. Each card includes the
greeting, ‘With best wishes for Christmas and the New Year’. The cards are
also on sale in the Museum shop in packs of five cards, at £2.95 per pack.
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A new introduction for Christmas this
year is an advent calendar featuring a
painting of Bayleaf Farmhouse (right) by relief
warden and artist Bob Ferry. It was Bob who
created the Museum scene inside the current
publicity leaflet. The Bayleaf advent calendar
has the traditional 24 doors to open,
behind which are tiny images of various buildings
and activities from around the Museum. The price
is £4.50, and it is sure to prove popular
with children. To order both over the
phone, paying with a credit/debit card, call the
shop on 01243 811020 |
Museum gardener, Bob Holman, retires
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| After 20 years as the Museum’s gardener, Bob
Holman has retired. Few people have done as much as he has to shape the
Museum – not only the physical shape of the gardens themselves, but also our
commitment to communicate at the highest possible level with our visitors.

Bob Holman busy at work fencing the
Bayleaf paddocks.
The story really begins at a meeting held on 1 May 1985,
at which proposals for Bayleaf were discussed for the first time. “Bayleaf
could be interpreted as a late-medieval complex … The garden project should
perhaps be phase 1.” A report was commissioned from Dr Sylvia Landsberg, and
a great deal of discussion ensued, but by the autumn of 1987 we were ready
to make a start, and Bob was employed as a part-time gardener to make it
happen! The garden and shaw were created and planted in 1988 and the Bayleaf
project opened on 26 May 1989.
Bob maintains that at the beginning he had little
knowledge of garden history, but he brought a deep and extensive knowledge
of the countryside, and his interest was such that he rapidly became deeply
immersed in the history and lore of plants. The Museum also gave him scope
to exercise two of his other talents, photography and communication, and
anyone who has attended one of the many illustrated lectures that he has
given over the years will readily attest to the excellence of both.
The Bayleaf garden demonstrated what a successful and
important role gardens could play in the interpretation of our exhibits, and
with the guidance of Sylvia Landsberg, Bob proceeded to create five others
after Bayleaf. The first was attached to the Hangleton cottage, but in spite
of Bob’s valiant efforts for 10 years, the combined depredations of rabbits
and small boys proved too much, and we are now planning a complete change to
bring the cottage much closer to its original situation as revealed by
archaeology.
All the other historic gardens have flourished. The first,
established in 1996-7, was the garden and orchard attached to the house from
Walderton, closely followed by Whittakers Cottages in 1998, Poplar Cottage
in 1999, and Pendean farmhouse in 2001. All these gardens have matured
beautifully, and are greatly appreciated by visitors. In 2004 Bob
reorganised the Toll Cottage garden, that had originally been created 20
years before, and also laid out the little garden behind Winkhurst Tudor
kitchen. Throughout his 20 years at the Museum Bob has been helped by a
small but dedicated team of volunteers, many of them expert gardeners in
their own right. Thelma Jack and Jill Dickins were the first, but there have
been many others.
From his earliest days at the Museum, Bob has been willing
to give talks and take walks, and they have been much in demand. From Dawn
Chorus walks which started in 1990, through the ‘Millennium of Herbs’ course
he delivered with Tina Stapley in 2000, and numerous days spent training
people to weave continuous wattle fencing (a crucial feature of the Bayleaf
landscape), he has played a central role in the development of the Museum’s
Lifelong Learning programme. He also played an important part in helping
interpreters in Winkhurst Tudor kitchen to link recipes and household
customs to the plants and herbs growing in the gardens.
In spring 2001 Bob wrote in this magazine: “Don and Helen
Baldwin of Black Dog Nursery propagate a number of our wild flowers and
herbs for us, and when I call to see them I look over the many trays of
germinating seeds until I see the ones labelled ‘Bob’s weeds’ – then I know
I am in the right section!” Let’s hope Bob’s weeds will be with us for many
years to come!
Richard Harris
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David Russell
- Obituary
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| David Russell, who died on 12 September 2007,
was an architect with special knowledge of historic buildings, and a friend,
supporter and trustee of the Museum since its inception.
David was born in 1922 and served as a pilot in the RAF
from 1940-1950. He spent a year studying archaeology before moving to
architecture, which was reflected in his deep
knowledge
of old buildings. His professional life was spent at John Schwerdt and
Partners in Lewes, a 50-year stint from 1956 to 2006. Among the thousand or
so projects on which he worked were Brotherhood Hall in Steyning, Lurgashall
Winery and Midhurst Public Library. Several of his projects received awards,
and he designed two buildings which have been listed, one as a modern
building but the other as Georgian (a replica which deceived the lister!).
In June 1966 he met Museum Founder Roy Armstrong and
became involved in the project to create an open air museum in Sussex. In
April 1968 he was elected chairman of the newly formed Committee for Crafts
and Industries, which supervised, amongst other things, the development of
the Museum’s collections of tools, artefacts and equipment which now, 40
years later, is stored and displayed in the Downland Gridshell. The first
acquisition, labelled 1968/01, a cooper’s heading knife, is still safely
held in the collections.
David remained chairman until the committee ceased to
exist in 1974, and in 1975 he joined in quick succession the Buildings and
Site Planning Advisory Committee (then chaired by the Museum’s Honorary
Architect, John Warren), the Museum trustees (then known as directors), and
the Council of Management (the equivalent of our present Executive Board).
In 1985 the Museum’s constitution was changed, and in 1988 David became a
member of the Executive Board, and remained so until his death.
David was very adventurous and had extremely wide
interests. Outside architecture these ranged from old cars and sailing to
skiing and dowsing – on which he taught a course at the Museum every year
from 1999. But his greatest love was flying, which he re-started in 1997,
and which he was still doing two days before he died.
David was a wonderful friend and supporter of the Museum.
Generous to a fault, he would always respond fully to any request for help,
and he contributed to numerous projects at the Museum. In 2004 I asked him
if he could take some aerial photographs to help us, but I did not realise
what a perilous operation this was until he described his technique of
holding onto the joystick with one hand while leaning out of the window with
the camera held in the other! But the results were spectacular, and one
photo in particular seems to me to capture better than any other I have seen
the beauty of the Museum’s site in the Lavant valley, with the river
reflecting the sky and making it visible as a silver trail heading off to
the west and south. His wise counsel and quiet manner will be very much
missed.
Richard Harris
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Around the Museum
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New
faces
Mark Buxton took up
the post of Horseman at Easter this year, and will be responsible for the
care and welfare of the Museum’s working horses, their use in a wide range
of agricultural and sitebased tasks, and the co-ordination of a team of
volunteers. Mark was already known to the Museum as for 13 years he has been
head horseman for the Royal Parks, based in Richmond Park, Surrey, and
attended our Heavy Horse Spectacular with its show turnout. The Weald &
Downland Museum’s former Director, the late Chris Zeuner, had assisted the
Parks management with the re-introduction of horses to the Parks and the
Museum’s horses took part in several events there. At Richmond Mark had
three Shire horses, their vehicles and harness, to care for, and alongside
attendance at major events, such as The Lord Mayor’s Show, he was much
involved in education, including school visits. Prior to this post he worked
at the Royal Parks in estate management. Mark is a marine engineer and
served in the Royal Marines after which he worked on charter boats in the
south of France and later for British Aerospace. Shortly after Mark joined
the Museum, a new Shire horse was acquired: Mac is 10-years-old and was bred
by the notable Shire breeder, the late Denys Benson. He has an excellent
pedigree but is an ‘old-fashioned’ sort of Shire, with good draught
qualities. He has already worked well as a pair with Neville, the Museum’s
other working Shire gelding.

Mark
Buxton and Mac
Jo White and Vicky Guest
have joined the Museum’s interpretation team as Interpretation
Assistants. They join our Head of Interpretation, Hannah Miller and Woods
and Crafts Interpreter, Jon Roberts. Rachel Neville, Schools and
Interpretation Officer, works closely with Hannah and Jennie Peel, Schools
Services Manager, providing a valuable link between the two departments,
both based in the building from Lavant. Jo White came to the Museum in
October 2006 with a Fine Arts degree and teacher training experience, having
lived and worked in the West Sussex area all her life, and having a passion
for history, interpretation and all things creative. Vicky Guest graduated
with an MA in Museum Studies at the start of 2007 after completing an
archaeology degree and has a great deal of personal experience working with
various live history groups. Vicky worked on placement at the Ryedale Folk
Museum in North Yorkshire last summer. Their role is primarily to interpret
our domestic buildings and surroundings – often in Tudor or Victorian period
clothing. The task involves strong practical and intellectual skills to
fulfil the many different aspects of the interpretation role at the Museum –
researching and developing new projects, managing and training volunteers,
delivering workshops and demonstrations as well as the regular housekeeping
necessary to keep the domestic buildings well presented. In addition Vicky
and Jo supervise and manage the daily running of our working Tudor kitchen,
Winkhurst, putting into practice the many new ideas which flow from all
Museum departments, as well as maintaining a high standard of interpretation
on a daily basis.
Lucy Hockley was
recruited in April to join Diana Rowsell and Rebecca Osborne in the adult
courses team. Lucy’s first degree was History with German which she studied
at Durham and she recently completed a postgraduate course in Heritage
Interpretation at Ironbridge (Birmingham University) where she gained useful
experience for her role here. Courses are run seven days a week, so Lucy and
Rebecca share weekend responsibilities, Lucy working Tuesday-Saturday, and
Rebecca Sunday- Thursday. This new appointment will enable the Museum’s
courses to continue to develop and expand, including the implementation of a
second MSc course to be validated by Bournemouth University and starting
next academic year. The post is being financially underpinned for three
years by the Sargent Charitable Trust in addition to the financial support
we already receive from the Mitford Foulerton Trust.
Karen Barrett, who has
been involved with the Museum for many years, has formally joined the staff
in the schools department. “Already we are benefiting from her encyclopaedic
knowledge of the workings of the Museum,” says Schools Services Manager
Jennie Peel, “and it is a joy to have her working with us”.
Lisa Prescott has
joined the Museum as the new administration assistant, replacing Holly
Elliott, who is moving to Toronto. Lisa will be working full-time,
undertaking general administration, organising children’s birthday parties
and running the trade stands with Sue O’Keefe.
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Obituaries
Jim Oliver died on 19
May 2007 in his 90th year. A farmer by profession, he farmed 400 acres in
Send, Surrey, but was also a keen student of local history, especially
vernacular architecture. He was a member of the Vernacular Architecture
Group and of the Wealden Buildings Study Group, serving as Vice President
1984-6 and President 1986-8. In 1983 he became Deputy President of the
Hampshire Field Club and was deeply involved in studies of historic
landscapes in Wessex.
Jim was a great supporter of the Museum and had been
involved with its foundation in the late 1960s. However, it was not until
1982 that he became formally involved as a member of the Sites and Buildings
Committee, which was then under the chairmanship of Robin McDowall. He
became a trustee of the Museum in 1986, and in 1987 took over the
chairmanship of the Sites and Buildings Committee, which he held until its
last meeting in 1990. In that capacity he was also a member of the Executive
Board. He retired from trusteeship in 1995 but remained as a vice-president.
Jim is remembered with affection and gratitude by the many
people whose interest in history he kindled and encouraged.
Lord Nathan became the
Museum’s President in October 1994 in succession to Sir James Waddell. He
held office until December 1996 when the Museum’s restructuring combined the
chairman and president into a single post, and he remained as a vice
president until his death.
He lived at Lickfold, Petworth, and at the time of his
Museum presidency he was chairman of the Sussex Downs Conservation Board
which had (and, as the South Downs Joint Committee, still has) its offices
at the Museum. The beauty of the Sussex Downs was very close to his heart,
and he was Past-President of the Society of Sussex Downsmen. He was a member
of the Court and Council of Sussex University, having been awarded the
degree of Honorary Doctor of Laws in 1988.
Lord Nathan was a prominent solicitor in the City and for
many years was senior partner of solicitors Herbert Oppenheimer, Nathan and
Vandyk.
Marjorie
Hallam Following our obituary for Marjorie Hallam in the
Spring issue magazine Dr Janet Pennington wrote to point out Marjorie’s
involvement with the Wiston Estate Study Group.
This group was also founded by the Museum’s founder, Dr
Roy Armstrong, in 1976. Dr Pennington became its honorary co-ordinator and
is certain that Marjorie was one of its founder members. Others closely
involved were John Friar, Tony Jenner, Gordon Lawrie, Jim Oliver, Joyce
Sleight and Jill Turner.
The group’s aim was to record all the agricultural
buildings on the c.5,000 acre Wiston Estate. In the process of recording the
structures the derelict Poplar Cottage and a cartshed were identified as
being good examples of their type, and subsequently were rescued from slow
destruction and came to the Museum.
Marjorie attended nearly all the meetings, records Dr
Pennington, which were usually held at Gordon Lawrie’s house opposite Wiston
Pond. “Marjorie was always full of ideas, much knowledge and wisdom, and she
soon produced lists of all the farms and other buildings on the estate. I
remember her with affection and gratitude.”
The group gradually faded away, following the deaths of
Roy Armstrong and Tony Jenner, and now, Jim Oliver. However Dr Pennington
has offered the Museum her small archive from the group for the Museum’s
Library.
“The group was an important part of the study of local
vernacular buildings led by Roy Armstrong while the Museum itself was being
developed,” said Museum director Richard Harris. “We are very pleased to
have been offered Janet’s archive of minutes and papers and will be
delighted to add it to our material in the Armstrong Library.” *An oak seat
in memory of Marjorie Hallam has been placed near Pendean Farmhouse, the
building with which Marjorie is most closely associated.
Sadly, during the year a
number of volunteers have passed away.
Mary Hum was a
volunteer for many years, working in the ticket office, shop, the main
office and the information desk in Hambrook Barn. She was also a member of
the Friends committee.
Monica Hannevold, a
former headmistress, was for many years a shop supervisor until the removal
of the shop from the Lavant building to Longport visitor entrance.
Sandy Lane, who had
been assistant to West Dean’s former agent, Tim Heymann, volunteered for
many years, working in the ticket offices, shop, mill, on car parking,
guided tours and general building exhibition interpretation.
Jeff Lyons was a
dedicated volunteer who was both a steward and Gridshell guide, always able
to help at short notice. Jeff had been a volunteer for the past six years
and died aged 76 at home in Emsworth after a short illness.
Gertie Whittle was a
long-serving volunteer, working mainly in the shop. Diana Buxton was a
volunteer for many years, and also a Friends committee member.
Cynthia Haworth was a
long-standing volunteer, working in the shop in the days when it was in the
Lavant building.
Eve Becher, another
Friends committee member, worked as a volunteer in the shop, on ticket sales
and at the reception desk in Hambrook Barn.
Thank you to Keith Bickmore and Bob Easson for
providing details of the volunteer activity of the above Museum supporters.
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News in
Brief
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The Images of
Bayleaf exhibition, which took place in the summer, was opened by
Roger Champion, who as the Museum’s master carpenter, had been intimately
involved with Bayleaf Farmhouse from the beginning of its life as a Museum
exhibit. (In the photograph, he is with Diana Rowsell, Head of Learning)

Following an appeal in the Spring Museum Magazine
submissions rolled in, from models of all kinds, to paintings, rugs,
engravings, crocheted wall hangings and photographs. Added to these were
items from within the Museum’s own collections, including tea towels and
archive photographs. Roger Champion lent carvings of an acorn and a chain,
made from original Bayleaf timbers which could not be used in the
restoration. Local artist and course tutor Gordon Rushmer curated the
exhibition, housed in the Downland Gridshell, assisted by Rebecca Osborne.
Younger visitors competed for a prize for the best Bayleaf drawing and the
best Bayleaf poem. The exhibition was manned by stewards, many of them
members of the dedicated Bayleaf steward team.
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On 15 July 2,000 women and their supporters
converged on the Museum for the second Cancer
Research UK Race for Life to be held here. Rebecca Osborne and
Lucy Hockley from the Museum staff joined the runners, taking part in memory
of loved ones they had lost, as well as family and friends who had survived
the disease. The race, which took place through the Museum and West Dean’s
beautiful parkland, raised some £150,000 for Cancer Research.
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MSc in Timber
Building Conservation
In April it was a pleasure to go to Bournemouth University for the
graduation ceremony for the Museum’s MSc graduates. Richard Fox, Chris Howe,
who travelled from his home in Australia, and David Wilkins, who also
received the outstanding student award donated by the Mitford Foulerton
Trust, were awarded their MSc degrees. Mike Fitzgerald received his in
absentia and Ken Hume will receive his in November. John Cartwright and
Matthew Hopgood received their PGDips. Course leader and Museum Director
Richard Harris is delighted that the students’ hard work has seen its
reward. |
|
British White bull wins at Persil-sponsored rare breeds show!
The
annual Rare and Traditional Breeds Show, now in its 22nd year, drew big
crowds on one of the rare delightful days this July. Magnificent rare breed
cattle, sheep, goats and pigs were judged in the show rings, followed by
classes for the next generations of livestock handlers, while practical
demonstrations and displays in the trade stand area included spinners,
weavers, dyers, and a range of country crafts. Persil’s sponsorship is part
of its Dirt is Good campaign. “It is wonderful to have a company such as
Unilever helping us with our work in preserving and promoting rare breeds in
British farming,” said Henry Warner, the Museum’s Head of Operations. In the
photograph is the show champion and winning bull, Bridge Homestead Maraca,
owned by Geoff and Marion Scotches: Marion is a former secretary to the
director of the Museum. |
Full steam ahead
The importance of the age of steam was celebrated at the Museum in August
with a two-day festival packed with exhibits, demonstrations and displays
exploring how steam power was used for agriculture, industry, road, rail and
even shipping. Exhibits included working traction engines and steam rollers;
scale models, including steam boats on the lake, and a narrow gauge railway.
As well as arena displays the whole Museum site was used for displays: a
highlight was the steam-powered carousel gallopers. In the photographs are,
right, steam engines in the field by Court Barn, and left, visitors watch a
demonstration of steam powered equipment in the woodland craft area.
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Communities come together for Romani Roots
The Museum’s third Gypsy festival, Romani Roots, was held in September,
organised by local members of the Gypsy community in association with the
Museum. It featured a large collection of traditional Gypsy vans, music in
the Museum’s market square, racing of ‘Sulkie’ traps in Greenways field, and
large numbers of Gypsy support and information groups. About 4,000 people
attended the two-day event, with the Gypsy and ‘gorja’ (non-Gypsy)
populations more or less equally represented. We felt that it gave a
significant opportunity for friendly and informal contact between the
communities, and the Museum has received many letters and emails confirming
that this was a worth while thing to do. Here are some extracts.
I am just writing to say how much
I enjoyed the festival last weekend. I thought there was a lovely peaceful
and happy atmosphere. . . . I think the event was a great opportunity for
non-Gypsies to see and experience Gypsy culture (both past and present) at
first hand, and a great opportunity for Gypsies to showcase their culture,
and for communities to mix and break down misconceptions and prejudices.
E.N., Brighton (Traveller Advice Project Friends, Families and
Travellers)
I wanted to thank you for putting on
the above event which was superbly organised and highly enjoyable – complete
with good weather! I came down to the weekend with some leaflets relating to
the courses we run which are of interest to Gypsy and Traveller community
members. My students who also attended were extremely impressed and felt
that as a first introduction to Gypsy and Traveller culture they could not
have found people more welcoming and friendly. . . . It was probably the
best of such occasions I have ever attended.
M.G., Buckinghamshire
I am writing to say what a wonderful
weekend we have just had at the Romani Roots event at the Weald and Downland
Museum, which gave us all the feeling of being part of one big family!
Music, dance, demonstrations, displays, food and crafts celebrating the
traditional Romany way of life, enthralled both the public and the Gypsy
community alike. The event offered visitors the opportunity to learn more
about the often-misunderstood Gypsy lifestyle, and also a chance to join in.
. . . Everything seemed to go like clockwork and despite the huge effort
that must have gone into it, it retained a homely, extremely friendly and
welcoming atmosphere. M.H.
What a great success the Romani
Roots event was. I am not a Gypsy but I have been a member of the Romany and
Traveller History Society for nine years. Working in the tent I got feedback
from the general public and Romany and Gypsy people, who all seemed to enjoy
their time there. B.D., Cheshire
My friends and I were at the Museum
a couple of weekends ago with our Romany Road organisation as part of the
Romani Roots event. I’d like to thank the Museum for hosting the event. A
far as I know it’s unique; most host organisations would run an event from a
non-Gypsy point of view, but this one is run the other way round from within
the Romani community. This gives ‘gorja’ visitors a privileged glimpse of
genuine Gypsy life past and present. It also gives the Romanies a cultural
focus in public, something they have lacked in the past.
C.B., Herefordshire
The Museum’s thanks are due to Bob
Ferry and Greg Yates, who organised the event, and the many Gypsies and
support groups who helped make it such a success.
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| Bees
return to the Museum
After an absence of two years, the Museum’s resident
beekeeper Carolyn Farley, assisted by Heather Clover, installed bees in
three hives at the Museum last season. Having survived the winter, the bees
are thriving in their new home during their second season. Two more colonies
have been added this summer. Carolyn has completed a course in the theory
and practice of beekeeping and has recently been awarded her Basic
Beekeeping Certificate. The bees form an integral part of the Museum’s
practical courses on beekeeping – introduced by the late Heather Champion –
and Carolyn also takes part in events promoting beekeeping as one of many
traditional countryside activities. |
| The Company Presents returned to the Museum
in August for Will at the Weald, a gala
evening of extracts from Shakespeare plays encompassing history, comedy and
tragedy. The cast included members from Regents Park Theatre and the
Guildford Shakespeare Company directed by no less than five directors led by
Patrick Sandford, artistic director of the Nuffield Theatre, Southampton. On
a lovely summer evening A Midsummer Night’s Dream was wholly appropriate and
was followed by Henry V, As you Like it, The Tempest (complete with
Prospero’s arrival in a boat on the lake), and a modern approach on the
witches’ scene from the Scottish play performed by the Youth Theatre. The
event was a sell-out and much enjoyed by all.
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| The Museum Friends’ support for the
staff and volunteer training programme
has enabled many individuals to attend short courses and conferences
relevant to their professional development. We have also been able to bring
in expert Blue Badge Guides to lead a day on presentation skills which was
attended by staff across all departments. These are in addition to the
regular first aid, health and safety, fire safety and food hygiene training
so necessary to the safe running of the Museum. The Museum has also been the
venue for two days of emergency planning and salvage training for museum
personnel in the region. Meanwhile the Renaissance South East Sharing Skills
Staff Placement Scheme is to continue for another year. Launched in 2006 it
aims to give staff and volunteers working in museums the opportunity to gain
an insight into different roles and working practices, and to develop their
skills. We have already applied for several places and will welcome
applicants from other museums.
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Toplots Heritage Auction
is an innovative fundraising and marketing opportunity for charitable
museums and heritage attractions to offer experiences and behind-the-scenes
activities for sale on eBay for the benefit of their own organisation.
TopLots is the brainchild of Development Partners and has been launched in
partnership with AIM (Association of Independent Museums), which acts as the
host charity. Eighty per cent of the total raised goes to the organisation
concerned, 20% to Development Partners and 4% to AIM. The pilot auction took
place in October with each lot ‘live’ for 10 days. Organisations large and
small, from English Heritage to Gainsborough’s House to Yorkshire Sculpture
Park took part. The Weald & Downland Open Air Museum offered a Tudor Feast
in Bayleaf Farmhouse, a special tour of the Museum with Richard Harris, a
day preparing the heavy horses for the Heavy Horse Spectacular, a
coracle-making weekend and a day with Museum carpenter Joe Thompson. More
information can be found on www.toplots.co.uk. We hope that next year it
will run again, giving more time to
alert our friends and supporters.
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